When people talk about selling fonts, they usually think of clean sans-serifs, elegant scripts, or modern serifs for branding, packaging, or social media. These are the fonts that get featured on marketplaces, used in wedding invites, or embedded in UI design.
But what about black metal fonts?
Fonts with jagged lines, bleeding edges, chaotic symmetry — the kind that screams from the depths of the underground?
That’s where BlackMetalFont.com lives.
And yes, it’s a niche market — maybe even too niche.
But here’s the truth:
I don’t mind.
In fact… I love it.
Let’s not sugarcoat it. Selling black metal fonts is nothing like selling mainstream fonts.
But a brutal black metal font?
It’s not going to show up in a skincare ad.
It’s not going to be used for wedding invitations.
It’s not going to appear on a minimalist website.
It’s used for bands, merch, album art, and posters in a genre that proudly lives far from the mainstream spotlight.
It’s niche. It’s brutal. It’s misunderstood.
But that’s also what makes it so damn cool.
When I make a black metal font, I’m not just chasing sales.
I’m expressing something deeper. Something raw.
Something purely mine.
Every sharp edge, every thorn-like serif, every chaotic ligature is me pouring out the spirit of metal.
I don’t need a massive market. I just need the freedom to create what I love.
That’s why even if sales don’t match up to serif or script fonts, I’m not discouraged.
Because in every font I release, I feel alive.
The thing about metal is: you either feel it or you don’t.
You can’t fake your way into the scene.
You can’t just slap “metal” on a font and hope it sells.
That’s why I built BlackMetalFont.com.
Not to follow trends — but to build a home for metalhead designers, bands, and anyone brave enough to explore dark aesthetics.
I want to show that fonts can be art. That they can scream, bleed, and rage — not just sit politely on a branding guide.
Because someone out there is looking for exactly this.
A black metal band in Brazil.
A horror artist in Poland.
A dark clothing brand in Japan.
A teenage musician making their first DIY album.
They don’t want generic fonts.
They want something loud, ugly, emotional, and raw.
And when they find BlackMetalFont.com — I want them to feel like they’ve found their tribe.
Not every project needs to explode.
Not every business needs to go viral.
Sometimes, it’s enough to create something real.
Even if the market is small, if the love is big — it’s worth it.
Because when I release a new metal font, and one person somewhere in the world uses it to design an album cover, a shirt, or a logo…
That means everything.
That’s the soul of metal: DIY, expressive, loyal.
So yes, the market for black metal fonts is narrow.
It’s not booming. It’s not mainstream.
But it’s mine.
And it’s real.
BlackMetalFont.com isn’t here to compete with big font studios.
It’s here to express a subculture, a mood, a movement.
And if even one person feels that — I’ve already won.
